Amateur Images and Global News by
Modern technology has enabled anyone with a digital camera or cell phone to capture images of newsworthy events as they develop, and news organizations around the world increasingly depend on these amateur images for their coverage of unfolding events. However, with globalization facilitating wider circulation, critics have expressed strong concern over exactitude and objectivity. The first book on this topic, Amateur Images and Global News considers at length the ethical and professional issues that arise with the use of amateur images in the mainstream news media—as well as their role in producing knowledge and framing meanings of disasters in global and national contexts.
Cloning Terror by
The phrase “War on Terror” has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky metaphoric and imaginary conception has created its own reality. At the same time, Mitchell locates in the concept of clones and cloning an anxiety about new forms of image-making that has amplified the political effects of the War on Terror. Cloning and terror, he argues, share an uncanny structural resemblance, shuttling back and forth between imaginary and real, metaphoric and literal manifestations. In Mitchell’s startling analysis, cloning terror emerges as the inevitable metaphor for the way in which the War on Terror has not only helped recruit more fighters to the jihadist cause but undermined the American constitution with “faith-based” foreign and domestic policies. Bringing together the hooded prisoners of Abu Ghraib with the cloned stormtroopers of the Star Wars saga, Mitchell draws attention to the figures of faceless anonymity that stalk the ever-shifting and unlocatable “fronts” of the War on Terror. A striking new investigation of the role of images from our foremost scholar of iconology, Cloning Terror will expand our understanding of the visual legacy of a new kind of war and reframe our understanding of contemporary biopower and biopolitics.
Communication Power by
We live in the midst of a revolution in communication technologies that affects the way in which people feel, think, and behave. The media have become the space where power strategies are played out. In the current technological context mass communication goes beyond traditional media and includes the Internet and mobile communication. In this wide-ranging and powerful book, Manuel Castells analyses the transformation of the global media industry by this revolution in communication technologies. He argues that a new communication system, mass self-communication, has emerged, and power relationships have been profoundly modified by the emergence of this new communication environment. Created in the commons of the Internet this communication can be locally based, but globally connected. It is built through messaging, social networks sites, and blogging, and is now being used by the millions around the world who have access to the Internet. Drawing on a wide range of social and psychological theories, Castells presents original research on political processes and social movements, including the misinformation of the American public on the Iraq War, the global environmental movement to prevent climate change, the control of information in China and Russia, and Internet-based political campaigns, such as the Obama campaign in the United States. On the basis of these case studies he proposes a new theory of power in the information age based on the management of communication networks Justly celebrated for his analysis of the network society, Castells here builds on that work, offering a well grounded and immensely challenging picture of communication and power in the 21st century. This is a book for anyone who wants to understand the dynamics and character of the modern world.
Communication Realities in a Post-Racial Society by
This book seeks to go beyond existing public polls regarding Barack Obama, and instead offers a comprehensive treatment of public perceptions that resist mass generalizations based on race, gender, age, political affiliation, or geographical location. Drawing from a large national qualitative data set generated by 333 diverse participants from twelve different states across six U.S. regions, Mark P. Orbe offers a comprehensive look into public perceptions of Barack Obama's communication style, race matters, and the role of the media in 21st century politics. Communication Realities in a "Post-Racial" Society: What the U.S. Public Really Thinks about Barack Obama is the first of its kind in that it uses the voices of everyday U.S. Americans to advance our understanding of how identity politics influence public perceptions. The strength of a book such as this one lies within the power of the diverse perspectives of hundreds of participants. Each chapter features extended comments from rural volunteer fire fighters in southern Ohio, African American men in Oakland, CA, religious communities in Alabama; New England senior citizens; military families from southern Virginia; Tea Party members from Nebraska; business and community leaders from North Carolina; individuals currently unemployed and/or underemployed in Connecticut; college students from predominately White, Black, and Hispanic-serving institutions of higher learning; and others. As such, it is the first book that is based on comments from multiple perspectives - something that allows a deeper understanding that hasn't been possible with public polls, media sound bites, and political commentary. It is a must read for scholars interested in contemporary communication in a time when "post-racial" declarations are met with resistance and political junkies who seek an advanced understanding of the peculiarities of rapidly changing political realities.
Communicator-In-Chief by
Communicator-in-Chief: How Barack Obama Used New Media Technology to Win the White House examines the fascinating and precedent-setting role new media technologies and the Internet played in the 2008 presidential campaign that allowed for the historic election of the nation's first African American president. It was the first presidential campaign in which the Internet, the electorate, and political campaign strategies for the White House successfully converged to propel a candidate to the highest elected office in the nation. The contributors to this volume masterfully demonstrate how the Internet is to President Barack Obama what television was to President John Kennedy, thus making Obama a truly twenty-first century communicator and politician. Furthermore, Communicator-in-Chief argues that Obama's 2008 campaign strategies established a model that all future campaigns must follow to achieve any measure of success. The Barack Obama campaign team astutely discovered how to communicate and motivate not only the general electorate but also the technology-addicted Millennial Generation - a generational voting block that will be a juggernaut in future elections.
Digital Culture by
From Facebook to the iPhone, from YouTube to Wikipedia, from Grand Auto Theft to Second Life, this book explores new media's most important issues and debates to create an accessible and essential text for newcomers to the field. With technological change continuing to unfold at an incredible rate, it rounds-up major events in the media's recent past to help develop a clear understanding of both the theoretical and practical debates that surround this emerging discipline. To organise and explore the crucial issues within such a large and ever changing subject area, the authors have commissioned case studies to sit along side the main chapters so that there is an interesting balance between the well-trodden and the newly emerging topics within the field as a whole.In doing so, it is hoped that it will provide a lively and original introduction to essential issues and areas of key interest. Topics covered include digital television, digital cinema, game culture, digital democracy, the World Wide Web, digital news, online social networking, music & multimedia, virtual communities and the 'Digital Divide'.
A Moment of Danger by
In A Moment of Danger: Critical Studies in the History of U.S. Communication Since World War II, Janice Peck and Inger L. Stole have collected sixteen essays that examine the remarkable role that media have played in post-WWII U.S. history. From an examination of the impact that the cold war and Senator McCarthy had on media content in the 1950s to an analysis of the role that Oprah Winfrey has played in shaping understandings of race in American culture, A Moment of Danger offers a wide array of critical studies, all of which, however, aim at thinking carefully not only about the way in which the modes of media keep us in contact with the world, but also about how they shape the way we understand ourselves and our world.
The Multivoiced Body by
Ethnic cleansing and other methods of political and social exclusion continue to thrive in our globalized world, complicating the idea that unity and diversity can exist in the same society. When we emphasize unity, we sacrifice heterogeneity, yet when we stress diversity, we create a plurality of individuals connected only by tenuous circumstance. As long as we remain tethered to these binaries, as long as we are unable to imagine the sort of society we want in an age of diversity, we cannot achieve an enduring solution to conflicts that continue unabated despite our increasing proximity to one another. By envisioning the public as a multivoiced body, Fred Evans offers a solution to the dilemma of diversity. The multivoiced body is both one and many: heterogeneous voices that at once separate and bind themselves together through their continuous and creative interplay. By focusing on this traditionally undervalued or overlooked notion of voice, Evans shows how we can valorize simultaneously the solidarity, diversity, and richness of society. Moreover, recognition of society as a multivoiced body helps resists the pervasive countertendency to raise a chosen discourse to the level of "one true God," "pure race," or some other "oracle" that eliminates the dynamism of contesting voices. To support these views, Evans taps the major figures and themes of analytic and continental philosophy as well as modernist, postmodernist, postcolonial, and feminist thought. He also turns to sources outsides of philosophy to address the implications of his views for justice, citizenship, democracy, and collective as well as individual rights. Through the seemingly simple conceit of a multivoiced body, Evans straddles both philosophy and political practice, confronting issues of subjectivity, language, communication, and identity. For anyone interested in moving toward a just society and politics, The Multivoiced Body offers an innovative approach to the problems of human diversity and ethical plurality.
The No-Nonsense Guide to Global Media by
Peter Steven explores the diversity of world media, from the corporate to the independent. He introduces readers to the political economy of the major media outlets, looking at the concentration of ownership and the convergence of technologies and media functions. In doing so, he encourages us to question how the media reflects society: are we passive recipients, or do we have a part in constructing the world?
Streaming, Sharing, Stealing by
Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice.
In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries -- and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how.
Using Visual Evidence by
What do we mean by 'visual evidence'? How should we interpret visual texts, and what can they tell us? Why is 'visual literacy' so important and what benefits does it offer? Visual evidence encompasses a diverse range of media, from painting, cartoons and photography, to film, television and documentary. The central argument of this book is that visual evidence is a key to understanding both history and the present day and should not be relegated to a supporting role as merely illustrating the written word. The book shows students, scholars and researchers how to read the visual media to elicit meaning. As primary sources, visual texts can be studied not only for what is directly depicted in the painting or film but also for what it tells us about the people, cultures and societies that made them. Each chapter features fascinating case studies and examples which situate theory in real life. A major appeal of the book is the wealth of illustrations and photographs of visual texts which are included throughout. The authors make detailed reference to these examples to illustrate the theory surrounding visual evidence.
Writing for Visual Media by
Writing for Visual Media looks at the fundamental problems a writer faces in learning to create content for media that is to be seen rather than read. It takes you from basic concepts to practice through a seven-step method that helps you identify a communications problem, think it through, and find a resolution before beginning to write.Through successive exercises, Writing for Visual Media helps you acquire the basic skills and confidence you need to write effective films, corporate and training videos, documentaries, web sites, PSAs, TV shows, nonlinear media, and other types of visual narratives. You'll explore your visual imagination and try out your powers of invention.The companion web site enriches the content of the printed book with video, audio, and sample scripts. It includes scripts and the video produced from them; visual demonstrations of concepts; and an interactive, illustrated glossary of terms and concepts. Please visit www.focalpress.com/cw/friedmann-9780240812359 click on the Interactive Content tab, and follow the registration instructions.
African Americans and the Media by
From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media.
Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.
Audience of One: Donard Trump, Television, and the Fracturing of America by
Poniewozik traces the history of television and mass media from the early 1980s to today, and demonstrates how a "volcanic, camera- hogging antihero" merged with America's most powerful medium to become our forty-fifth president. He weaves together two compelling stories: charting the seismic evolution of television from a monolithic mass medium, with three mainstream networks, into today's fractious confederation of "spite-and-insult" media subcultures; and examining Donald Trump and how he took advantage of these historic changes to constantly reinvent himself.
Children, Media and Culture by
"Children, Media and Culture seeks to redefine the discipline's domain by including classical art, fairy tales, and literature in the research purview along with media such as television, gaming, and social networking. Maire Messenger Davies continues to offer an original voice in the scholarship of media and children."
Professor Dafna Lemish, Editor, Journal of Children and Media
"An ambitious and quite helpful synthesis of scholarly research, policy reports, professional opinion and personal impressions on what it has meant to be represented as a child in relation to different cultural and historical contexts and media forms up to the present day... I commend the author for the lively and clear, yet scholarly and eloquent quality of her prose. Would that more academics were also trained appreciators of literature and former journalists!"
Mark Evan Nelson, Assistant Professor in English Language and Literature at the NationalInstitute of Education, Singapore
Childhood and children's culture are regularly in the forefront of debates about how society is changing - often, it is argued, for the worse. This book addresses the continuing concerns around media 'effects' and critically examines the view that technology has dramatically changed modern children's lives.This book engages with and seeks to broaden the public debate about the role of popular media in children's lives. It considers how public anxieties regarding the harmful influences of the media are heightened at times of rapid technological change. This change is most visible in the appearance of new media technology - currently including digital television; the Internet; computer games, mobile phones and i-pods, but also, in the past, print material, films, radio and broadcast television, when they were new.
Written in a lively and accessible style, the book discusses various genres, including television and the Internet, children's books, fairy tales, children in art, playground games, and film. Case studies include Disney, Harry Potter; Teletubbies, Sesame Street, Cbeebies and The Secret Garden.
Essential reading for media students, this book situates the study of childhood and the media within a framework of different disciplines, including historical, sociological, psychological and political approaches.
The Cruel Radiance by
Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing people, rather than depersonalized acts of inhumanity, our hopes of curbing political violence today are probably limited.
Dealing with the Media by
When experienced journalist Chris Rau found herself on the other side of media fence after her sister Cornelia was wrongfully held in Baxter Detention Centre, suddenly she was an interviewee, commentator and media strategist. Dealing with the Media is essential reading for anyone who needs to transmit news or ideas to the world, or has been thrust into the media spotlight. This practical guide offers easy-to-follow advice on how to deal with the media both traditional and electronic
Digital War Reporting by
Digital War Reporting examines war reporting in a digital age. It shows how new technologies open up innovative ways for journalists to convey the horrors of warfare while, at the same time, creating opportunities for propaganda, censorship and control. Topics discussed include:
How is the role of the war reporter evolving as digital technologies become ever more prominent? What is the rhetoric of war in digital journalism? How does an emphasis on liveness, immediacy or realness shape public perceptions of the nature of warfare itself? Is technology widening the gap between 'us' and 'them', or are new kinds of empathy being established with distant others as time, space and place are effectively compressed?
A key focus is journalists' use of digital imagery, real-time video and audio reports, multimedia databases - as well as satellites, broadband, podcasting, and mobile telephones - in the reporting of a range of wars, conflicts and crises. The examples analysed range from 24-hour television news coverage of the Persian Gulf War, the first 'internet war' in Kosovo, digital photography, from September 11 to Abu Ghraib, and bloggers in Iraq, including journalists, soldiers and ordinary citizens.
Digital War Reporting is required reading for students, researchers and journalists.
The Fifth Estate by
The influence of what is known as The Fifth Estate, which is viewpoints and journalism generated outside of the mainstream press, has risen thanks to the emergence of blogs and social media. How effective are these alternate sources in raising public consciousness, changing government policy, and stirring grassroots movements? Are they held to the same standards as mainstream journalism? In this age of fake news, WikiLeaks, and the president's so-called war on the press, readers will find the varied and provocative viewpoints that are explained in this book incredibly relevant and enlightening.
Film Criticism in the Digital Age by
Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a "crisis of criticism" and mourned the "death of the critic." Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that "everyone's a critic," urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book's contributors find many signs of the film critic's declining clout, but they also locate surprising examples of how critics--whether moonlighting bloggers or salaried writers--have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.
Freedom of Expression - Global Viewpoints series by
Delivers a panoramic perspective on the issues that impact freedom of expression in today's world including the negative consequences of limiting freedom of expression compared to the alternative.
Globalization and American Popular Culture by
American popular culture and globalization -- "American" popular culture -- The global scope of American movies, music, and television -- The American global cultural franchise -- Global trade and the fear of American popular culture -- American popular culture and the future of globalization.
Is Media Violence a Problem? At Issue series by
At issue. Mass media At issue. Mass media.
Contents: Introduction -- Media violence causes aggression in children / Gina Simmons -- Media violence does not cause aggressive behavior in children / Jonathan L. Freedman -- Viewer's responses to violent media are complex and varied / David Trend -- Movies don't facilitate violence--gun laws do / James Rocchi -- Violent video games might be to blame for violent behavior / Mark and Keisha Hoerrner -- Violent video games are not to blame for violent behavior / Daniel Koffler -- Violent video games are harmful to young people / William Sears -- Condemnations of media violence are often simplistic and misguided / Henry Jenkins -- Violent media do not teach a Christian worldview / Kerby Anderson -- Media violence makes torture acceptable to viewers / A.S. Hamrah -- The FCC should regulate violence on television / Christian Science Monitor -- The FCC should not regulate violence on television / Nick Gillespie -- Researchers have not proven that media violence merits policy changes / Edward Castronova.
Latina /OS and the Media by
The U.S. mainstream media have a love and hate relationship with Latina/os. On the one hand the media treat as hot property such stars as Jennifer Lopez, Eva Longoria and America Ferrera; on the other they contribute to the role of Latina/os as eternal foreigners, having continually to assert their belonging and citizenship. Latina/os and the Media brings together the scholarship of communication studies scholars working on issues of Latinidad and presents it in a coherent, vibrant and accessible form to shed light on the complex relationship between Latina/os and the media.
Latina/os and the Media includes the coverage of the following: the participation of Latina/os in media production; the forms in which Latina/os are represented in media; the ways that Latina/os interpret media and that other audiences interpret Latina/os in the media; and the social scientific effects of the forms in which Latina/os are represented on Latina/os in particular and culture at large. The book draws on a rich set of examples to illustrate its conclusions. It will be the first port of call for anyone wanting to know about the relationship between Latina/os and the media, including for those students taking classes on minorities and the media, or issues around race and diversity.
Managing Electronic Media by
This college-level media management textbook reflects the changes in the media industries that have occurred in the past decade. Today's managers must address new issues that their predecessors never faced, from the threats of professional piracy and casual copying of digital media products, to global networks, on-demand consumption, and changing business models. The book explains the new new vocabulary of media moguls, such as bandwidth, digital rights management, customer relations management, distributed work groups, centralized broadcast operations, automated playlists, server-based playout, repurposing, mobisodes, TV-to-DVD, and content management. The chapters logically unfold the ways that managers are evolving their practices to make content, market it, and deliver it to consumers in a competitive, global digital marketplace. In addition to media companies, this book covers management processes that extend to all content-producing organizations, because today's students are as likely to produce high-quality video and Web video for ABC Computer Sales as they are for the ABC Entertainment Television Network.
Mass Media - Opposing Viewpoints series by
Liberal media bias is a serious problem / Andrew G. Selepak -- Conservative media bias is a serious problem / Media Matters for America -- Racism and ethnic bias in the media is a serious problem / Lena-Snomeka Gomes -- Racism and bias against ethnic groups in the media is not a problem / Ian Jobling -- Broadcasters should be required to air a variety of opposing views / Steve Rendall -- Broadcasters should not be required to air a variety of opposing views / Brian Fitzpatrick -- Media monopolies are a serious problem / Charlie Cray -- Media monopolies are a myth / Ben Compaine -- The newspaper-broadcast cross-ownership ban should be preserved / Common Cause -- The newspaper-broadcast cross-ownership ban should be lifted / James L. Gattuso -- Media violence may cause youth violence / Hillary Rodham Clinton -- Media violence does not cause youth violence / Karen Sternheimer -- Alcohol advertising encourages teens to consume alcohol / RAND Corporation -- Alcohol advertising does not encourage teens to consume alcohol / David J. Hanson -- The Internet will make newspapers obsolete / Philip Meyer -- The Internet will not make newspapers obsolete / Bill Keller -- Blogs are an innovative part of journalism / Patrick Baltatzis -- Blogs are not journalism / Rebecca Blood -- Internet journalism will transform the media / Scott E. Gant -- Internet journalism will not transform the media / Nicholas Lemann.
Media and Society by
This popular introductory book provides a clear introduction to the key ideas within media studies. The friendly writing style and everyday examples, which made the first edition a favourite with students and lecturers alike, has been retained and updated in this new edition.
The Media Economy by
The Media Economy analyzes the media industries and their activities from macro to micro levels, using concepts and theories to demonstrate the role the media plays in the economy as a whole. Representing a rapidly changing and evolving environment, this text breaks new ground through its analysis from two unique perspectives: examining the media industries from a holistic perspective by analyzing how the media industries function across different levels of society (global, national, household and individual) looking at the key forces (technology, globalization, regulation, and social aspects) constantly evolving and influencing the media industries. It includes examples from both developed and developing nations, as well as data and trends from these countries, offering a broad arena of study. Key features of this innovative text include: topics new to media economics texts, such as finance and investment, labor, and social aspects accessible discussion of complicated concepts and their application to media industries new directions for both theoretical and methodological areas. With the media industries in an ongoing state of change and transformation, The Media Economy offers new reference points for the field to consider when defining and analyzing media markets. It is essential reading for students and practitioners in media management and economics who need to understand the role of media in the global economy.
Media in Europe Today by
This book is written by media scholars from all over Europe who are members of the Euromedia Research Group. What unites the group is the joint interest of its members in the analysis of media structures and media policy in Europe against the background of contemporary communication theories and concepts. The book has two parts: First, it looks into structural changes in specific media formats such as newspapers, radio, television and online-media. Second, it analyses specific problems and challenges in a comparative way, such as the creation of public sphere(s), the relation between media and democracy, public service media, media regulation and media governance, challenges of media industries etc.The book addresses graduate students in mass communication, scholars and practitioners interested in reflecting main development trends.It follows up from four books written by the Euromedia Research Group on media policy, published in 1986, 1992, 1999 and 2007.For a member list of the Euromedia Research Group visit www.euromediagroup.org
Mediating Politics by
This book critically analyses the complex relationship between media and politics, beginning with a discussion of what is meant by the mediating of politics.
Media Violence - Opposing Viewpoints series by
Is media violence a serious problem? -- Exposure to violence in the media leads to violent behavior / L. Rowell Huesmann and Laramie D. Taylor -- The problem of media violence is exaggerated / Henry Jenkins -- Video games foster violent behavior / David S. Bickham -- Video games have become a scapegoat for violent behavior / Christopher J. Ferguson -- Video games are useful educational tools / Lee Wilson -- The lack of moral context in violent movies is harmful / James Bowman -- Periodical bibliography -- How should media violence be regulated? -- The government has the power to regulate violence on television / Federal Communications Commission -- The government should not regulate violence on television / Laurence H. Tribe -- Parents should regulate their children's exposure to violence on television / Adam Thierer -- Parents recognize that regulating violence on television is unnecessary / Kerry Howley -- The video game ratings system is an effective regulation / Patricia E. Vance -- The video game ratings system is an ineffective regulation / Jonathan Harbour -- Periodical bibliography -- What are the effects of violence and suffering in news media reporting? Watching violent news has harmful effects on children / Karen Goldberg Goff -- Media reports of violent crime encourage copycat violent acts / Loren Coleman -- News media should provide a context for the violence they report / Mortimer B. Zuckerman -- Violence in television shows mirrors violence from the news / Clive Thompson -- Periodical bibliography -- Is the Internet a new medium for violence? -- Cyberbullying is worse than physical bullying / Scott Meech -- Cyberbullying is not worse than physical bullying / Amanda Lenhart -- The Internet encourages amateur fight videos / Paul Farhi -- The Internet reduces violent criminal behavior / Steven E. Landsburg -- Terrorists are using the Internet to further their violent aims / Gabriel Weimann -- Periodical bibliography.
Packaging Terrorism by
Packaging Terrorism investigates how American media have identified and covered international terrorism and violence since September 11, 2001.
Compares US coverage with that of British and Arab media
Discusses the priorities, assumptions, political debates, deadline pressures and bottom-line considerations that will continue to influence coverage in the future
Suggests how terrorism could be better covered by the media going forwards
Physics for Future Presidents by
We live in complicated, dangerous times. Present and future presidents need to know if North Korea's nascent nuclear capability is a genuine threat to the West, if biochemical weapons are likely to be developed by terrorists, if there are viable alternatives to fossil fuels that should be nurtured and supported by the government, if private companies should be allowed to lead the way on space exploration, and what the actual facts are about the worsening threats from climate change. This is "must-have" information for all presidents--and citizens--of the twenty-first century.
Regulating Violence in Entertainment by
Many Americans, including members of the medical community, believe that exposure to violent entertainment harms young people. Video games are a particular concern because they may teach players how to commit violent acts. Some argue that violence in entertainment is so serious a problem that the government should protect people from it and regulate it, as has been done with tobacco. Opponents of regulation contend that the scientific evidence linking violent entertainment to real-world violence is far from conclusive and that restricting access to it would be unworkable and perhaps counterproductive. Regulation also raises constitutional issues because entertainment is protected speech under the First Amendment, and courts require the government to have a compelling reason to restrict such speech. In Regulating Violence in Entertainment, learn how this debate is likely to intensify, as more realistic and interactive forms of violent entertainment become available.
Techno-Orientalism by
What will the future look like? To judge from many speculative fiction films and books, from Blade Runner to Cloud Atlas, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. The collection's fourteen original essays trace the discourse of techno-orientalism across a wide array of media, from radio serials to cyberpunk novels, from Sax Rohmer's Dr. Fu Manchu to Firefly. Applying a variety of theoretical, historical, and interpretive approaches, the contributors consider techno-orientalism a truly global phenomenon. In part, they tackle the key question of how these stereotypes serve to both express and assuage Western anxieties about Asia's growing cultural influence and economic dominance. Yet the book also examines artists who have appropriated techno-orientalist tropes in order to critique racist and imperialist attitudes. Techno-Orientalism is the first collection to define and critically analyze a phenomenon that pervades both science fiction and real-world news coverage of Asia. With essays on subjects ranging from wartime rhetoric of race and technology to science fiction by contemporary Asian American writers to the cultural implications of Korean gamers, this volume offers innovative perspectives and broadens conventional discussions in Asian American Cultural studies.
The Twenty-First-Century Media Industry by
The Twenty-First-Century Media Industry: Economic and Managerial Implications in the Age of New Media examines the role that new media technologies are having on the traditional media industry from a media management perspective. Consumer behaviors and consumer expectations are being shaped by new media technologies. They now expect information on-demand and on-the-go as well as at their finger-tips via the Internet. In order to stay relevant, traditional media managers and practitioners are adapting to these consumer demands and expectations by developing new business models and new business philosophies to stay competitive. The contributors to this volume explore the business strategies being implemented by some media industries such as newspapers and the recording industry who are struggling to not only remain competitive and profitable, but also to survive. The Twenty-First-Century Media Industry provides an intriguing examination of how traditional media industries are adapting to new media technologies and evolving in the twenty-first century.
Ugly War, Pretty Package by
Deborah L. Jaramillo investigates cable news' presentation of the Iraq War in relation to ""high concept"" filmmaking. High concept films can be reduced to single-sentence summaries and feature pre-sold elements; they were considered financially safe projects that would sustain consumer interest beyond their initial theatrical run. Using high concept as a framework for the analysis of the 2003 coverage of the Iraq War -- paying close attention to how Fox News and CNN packaged and promoted the U.S. invasion of Iraq -- Ugly War, Pretty Package offers a new paradigm for understanding how television news reporting shapes our perceptions of events.
The transmission of sound and vision programmes by radio and television.
Social media is a broad term incorporating blogs, wikis, Internet communities and online discussions. Community sites such as Facebook and Myspace are immensely popular with young people and business-oriented alternatives such as LinkedIn and ecademy are widely used in networking.
From Key Concepts in Radio StudiesTalk radio is a radio format and an almost exclusively American phenomenon that owes its remarkable success to the specific conditions in the US radio industry. Between 1987 and 2003 the number of talk radio stations in the USA grew from 125 to 1785, often broadcast on AM radio.