Art of Islam by
Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural works in which one recognises the stylisation of motives of the Muslim ceramics. Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.
The Art of Jordan by
Catalogue of an exhibition held at Liverpool Museum.
Art of the Persian Courts by
Covers Persian manuscript illumination and calligraphy.
Central Asian Art by
The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and are pository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years. form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and a repository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin, and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.
Islamic Art and Architecture by
Luxury decoration, refinement, and high spirituality are defined as "Persian style" in architecture. This lavishly illustrated book examines the sources, analyzes the forms, and discusses the mystic themes and symbolism of the immense heritage handed down by Islamic artists and craftsmen. 500 illustrations.
Islamic Art and Architecture by
Issam El-Said pinpoints the rules of composition that form the basis of the geometric concepts of Islamic art. He then shows how intricate patterns are based on these basic principles. Fully illustrated in three colors to show the development of the patterns, this book offers an insight into how craftsmen and designers in the Muslim world achieved monumental feats of artistic expression using the simplest of tools. Chapter I presents graphical analyses of numerous complex patterns, to reveal the numerical rationale behind them. In Chapter II, the author analyses the system of measure used in ancient Egypt, before the use of numbers for calculating measurements. He shows how measuring cords and a geometric method based on a grid-pattern originating from the circle were employed by master craftsmen in the design of Islamic art and architecture. The book offers an insight into how craftsmen and designers in the Muslim world have achieved monumental feats of artistic expression with harmony and precision, using the simplest of tools such as a ruler, a string and templates, together with a system of measure that is both simple and sophisticated.
Islamic Arts by
Islamic Arts , a comprehensive survey covering a thousand years, highlights those characteristics that connect the various arts of the Islamic lands without minimizing the differences. The book is divided into three time periods - 600-900, 900-1500 and 1500-1800 - and each section analyses architecture, the arts of the book, decorative and applied arts. Islamic Arts brilliantly captures the essence of Islamic culture.
Pages of Perfection: Islamic paintings and calligraphy from the Russian Academy of Sciences, St. Petersburg by Renaissance of Islam by Renaissance of Islam: Art of the Mamluks by
A detailed look at the Mamluk Empire and its culture and art focuses on illuminated manuscripts, metalwork, glass, ceramics, woodwork, textiles, and rugs
A History of Islamic Societies by
A History of Islamic Societies provides an authoritative and comprehensive treatment of the civilisations and patterns of life of Muslims throughout the world. Part I deals with the formative era of Islamic civilisation from the revelation of the Qur'an to the Thirteenth century and examines the transformation of Islam from a complex of doctrines and cultural systems into the organising principles of Middle Eastern Society. Part II traces the creation of similar societies in the Balkans, North Africa, Central Asia, China, India, Southeast Asia and sub-Saharan Africa. Part III considers the transformation of these societies under the forces of technological change, industrial revolution and European imperialism. It describes the emergence of modern economies, national states and secular ideologies in Muslim countries and seeks to assess the role of past Islamic institutions and present Islamic movements in the shaping of contemporary Muslim society.
Islam by
The world's leading Islamicist offers a concise introduction to this rich and diverse tradition of 1.2 billion adherents.
In this informative and clear introduction to the world of Islam, Seyyed Hossein Nasr explores the following topics in depth:
*What Is Islam?
*The Doctrines and Beliefs of Islam
*Islamic Practices and Institutions
*The History of Islam
*Schools of Islamic Thought
*Islam in the Contemporary World
*Islam and Other Religions
*The Spiritual and Religious Significance of Islam
Islam by
No religion in the modern world is as feared and misunderstood as Islam. It haunts the popular Western imagination as an extreme faith that promotes authoritarian government, female oppression, civil war, and terrorism. Karen Armstrong's short history offers a vital corrective to this narrow view. The distillation of years of thinking and writing about Islam, it demonstrates that the world's fastest-growing faith is a much richer and more complex phenomenon than its modern fundamentalist strain might suggest.
Islam: A Short History begins with the flight of Muhammad and his family from Medina in the seventh century and the subsequent founding of the first mosques. It recounts the origins of the split between Shii and Sunni Muslims, and the emergence of Sufi mysticism; the spread of Islam throughout North Africa, the Levant, and Asia; the shattering effect on the Muslim world of the Crusades; the flowering of imperial Islam in the fourteenth and fifteenth centuries into the world's greatest and most sophisticated power; and the origins and impact of revolutionary Islam. It concludes with an assessment of Islam today and its challenges.
With this brilliant book, Karen Armstrong issues a forceful challenge to those who hold the view that the West and Islam are civilizations set on a collision course. It is also a model of authority, elegance, and economy.